Judit Horváth Lóczi graduated as a landscape architect and obtained a second degree in colour engineering at the Budapest University of Technology. Between 2011 and 2014, she graduated from the Budapest Metropolitan University with a degree in Visual Representation. In 2019, she was awarded the Fellowship of the Pollock-Krasner Foundation in the United States of America. In 2022, she was the finalist of the Kassák Contemporary Art Prize. Judit Horváth Lóczi's work is connected to the constructivist-geometric tradition, and her individual vision represents a new (female) sensibility in the Hungarian art scene. Her oeuvre to date consists of a series of paintings and objects that are thematically interconnected, searching for new paths concerning the question of form and exploring possible points of intersection between the medium of painting and sculpture. Her works blend pictorial flatness and spatiality to create a distinctive visual language based on abstraction, geometry, dynamics and rhythm. The supports of Horváth's spatially expansive paintings are pre-designed shaped canvas constructions whose geometric rigidity is counterbalanced by a vivid palette and intuitive compositional style. In addition to traditional materials, one of the hallmarks of her artistic practice is the deployment of unusual, extreme objects as supports. Her work is usually inspired by everyday situations or personal stories, which she presents through constructing geometric compositions built on fundamental forms. She gives voice to intimate yet universal experiences such as becoming a mother or the everyday difficulties of raising a child. As she puts it, "each work is an entry in my diary." Viktória Popovics

Judit Horváth Lóczi graduated as a landscape architect and obtained a second degree in colour engineering at the Budapest University of Technology. Between 2011 and 2014, she graduated from the Budapest Metropolitan University with a degree in Visual Representation. In 2019, she was awarded the Fellowship of the Pollock-Krasner Foundation in the United States of America. In 2022, she was the finalist of the Kassák Contemporary Art Prize. Judit Horváth Lóczi's work is connected to the constructivist-geometric tradition, and her individual vision represents a new (female) sensibility in the Hungarian art scene. Her oeuvre to date consists of a series of paintings and objects that are thematically interconnected, searching for new paths concerning the question of form and exploring possible points of intersection between the medium of painting and sculpture. Her works blend pictorial flatness and spatiality to create a distinctive visual language based on abstraction, geometry, dynamics and rhythm. The supports of Horváth's spatially expansive paintings are pre-designed shaped canvas constructions whose geometric rigidity is counterbalanced by a vivid palette and intuitive compositional style. In addition to traditional materials, one of the hallmarks of her artistic practice is the deployment of unusual, extreme objects as supports. Her work is usually inspired by everyday situations or personal stories, which she presents through constructing geometric compositions built on fundamental forms. She gives voice to intimate yet universal experiences such as becoming a mother or the everyday difficulties of raising a child. As she puts it, "each work is an entry in my diary." Viktória Popovics

Judit Horváth Lóczi graduated as a landscape architect and obtained a second degree in colour engineering at the Budapest University of Technology. Between 2011 and 2014, she graduated from the Budapest Metropolitan University with a degree in Visual Representation. In 2019, she was awarded the Fellowship of the Pollock-Krasner Foundation in the United States of America. In 2022, she was the finalist of the Kassák Contemporary Art Prize. Judit Horváth Lóczi's work is connected to the constructivist-geometric tradition, and her individual vision represents a new (female) sensibility in the Hungarian art scene. Her oeuvre to date consists of a series of paintings and objects that are thematically interconnected, searching for new paths concerning the question of form and exploring possible points of intersection between the medium of painting and sculpture. Her works blend pictorial flatness and spatiality to create a distinctive visual language based on abstraction, geometry, dynamics and rhythm. The supports of Horváth's spatially expansive paintings are pre-designed shaped canvas constructions whose geometric rigidity is counterbalanced by a vivid palette and intuitive compositional style. In addition to traditional materials, one of the hallmarks of her artistic practice is the deployment of unusual, extreme objects as supports. Her work is usually inspired by everyday situations or personal stories, which she presents through constructing geometric compositions built on fundamental forms. She gives voice to intimate yet universal experiences such as becoming a mother or the everyday difficulties of raising a child. As she puts it, "each work is an entry in my diary." Viktória Popovics

Judit Horváth Lóczi graduated as a landscape architect and obtained a second degree in colour engineering at the Budapest University of Technology. Between 2011 and 2014, she graduated from the Budapest Metropolitan University with a degree in Visual Representation. In 2019, she was awarded the Fellowship of the Pollock-Krasner Foundation in the United States of America. In 2022, she was the finalist of the Kassák Contemporary Art Prize. Judit Horváth Lóczi's work is connected to the constructivist-geometric tradition, and her individual vision represents a new (female) sensibility in the Hungarian art scene. Her oeuvre to date consists of a series of paintings and objects that are thematically interconnected, searching for new paths concerning the question of form and exploring possible points of intersection between the medium of painting and sculpture. Her works blend pictorial flatness and spatiality to create a distinctive visual language based on abstraction, geometry, dynamics and rhythm. The supports of Horváth's spatially expansive paintings are pre-designed shaped canvas constructions whose geometric rigidity is counterbalanced by a vivid palette and intuitive compositional style. In addition to traditional materials, one of the hallmarks of her artistic practice is the deployment of unusual, extreme objects as supports. Her work is usually inspired by everyday situations or personal stories, which she presents through constructing geometric compositions built on fundamental forms. She gives voice to intimate yet universal experiences such as becoming a mother or the everyday difficulties of raising a child. As she puts it, "each work is an entry in my diary." Viktória Popovics

Judit Horváth Lóczi graduated as a landscape architect and obtained a second degree in colour engineering at the Budapest University of Technology. Between 2011 and 2014, she graduated from the Budapest Metropolitan University with a degree in Visual Representation. In 2019, she was awarded the Fellowship of the Pollock-Krasner Foundation in the United States of America. In 2022, she was the finalist of the Kassák Contemporary Art Prize. Judit Horváth Lóczi's work is connected to the constructivist-geometric tradition, and her individual vision represents a new (female) sensibility in the Hungarian art scene. Her oeuvre to date consists of a series of paintings and objects that are thematically interconnected, searching for new paths concerning the question of form and exploring possible points of intersection between the medium of painting and sculpture. Her works blend pictorial flatness and spatiality to create a distinctive visual language based on abstraction, geometry, dynamics and rhythm. The supports of Horváth's spatially expansive paintings are pre-designed shaped canvas constructions whose geometric rigidity is counterbalanced by a vivid palette and intuitive compositional style. In addition to traditional materials, one of the hallmarks of her artistic practice is the deployment of unusual, extreme objects as supports. Her work is usually inspired by everyday situations or personal stories, which she presents through constructing geometric compositions built on fundamental forms. She gives voice to intimate yet universal experiences such as becoming a mother or the everyday difficulties of raising a child. As she puts it, "each work is an entry in my diary." Viktória Popovics

Judit Horváth Lóczi graduated as a landscape architect and obtained a second degree in colour engineering at the Budapest University of Technology. Between 2011 and 2014, she graduated from the Budapest Metropolitan University with a degree in Visual Representation. In 2019, she was awarded the Fellowship of the Pollock-Krasner Foundation in the United States of America. In 2022, she was the finalist of the Kassák Contemporary Art Prize. Judit Horváth Lóczi's work is connected to the constructivist-geometric tradition, and her individual vision represents a new (female) sensibility in the Hungarian art scene. Her oeuvre to date consists of a series of paintings and objects that are thematically interconnected, searching for new paths concerning the question of form and exploring possible points of intersection between the medium of painting and sculpture. Her works blend pictorial flatness and spatiality to create a distinctive visual language based on abstraction, geometry, dynamics and rhythm. The supports of Horváth's spatially expansive paintings are pre-designed shaped canvas constructions whose geometric rigidity is counterbalanced by a vivid palette and intuitive compositional style. In addition to traditional materials, one of the hallmarks of her artistic practice is the deployment of unusual, extreme objects as supports. Her work is usually inspired by everyday situations or personal stories, which she presents through constructing geometric compositions built on fundamental forms. She gives voice to intimate yet universal experiences such as becoming a mother or the everyday difficulties of raising a child. As she puts it, "each work is an entry in my diary." Viktória Popovics