András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.

András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.

András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.

András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.

András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.

András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.

András Ernszt currently lives and works in Pécs. He studied at the University of Pécs, where his masters were László Valkó and Ilona Keserü Ilona. He received a DLA (Doctor of Liberal Arts) degree at this university in 2009, and since 2010, he has been an assistant professor at the Department of Painting, Faculty of Arts. In 1997, he spent a period in Munich as the winner of the DAAD Scholarship. In 2001, he was awarded the Eötvös Scholarship from the Hungarian State and in 2003 the Strabag Painting Prize from the Ludwig Museum. Since 1997, he has had regular solo exhibitions and participated in group shows in Hungarian and international galleries: in Pécs, Budapest, Brussels and Stuttgart, among various other locations. András Ernszt's paintings are constantly moving, dynamic colour compositions. The slight deviation of the paint layers from the picture plane creates a characteristic, three-dimensional effect, apart from the various spatial and kinetic illusions. The structuring and layering of material plays a significant role in his work, and a reductive utilisation of colour accompanies this. The almost monochrome tones guide the viewer's attention to the material, to the painterly elaboration of the various surfaces and the deployed technical apparatus. The complexity of the images is increased by the light-shadow effects caused by the layering and the intricate interplay between the different hues of various colours. The viewer cannot find fixed points on the canvases: various formations are positioned on top of each other, while the resulting layering adds depth to them. Their disharmonious arrangement lends them a powerful set of dynamics. The paintings of Ernszt reveal a cavalcade of restless forms, constantly searching for their final destination, shaped by random movement.