Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.

Róbert Csáki has been present in the Hungarian painting scene since the 1990s with his sinister, dreamlike visions. His world, which continues the tradition of panel painting, is defined by the bizarre dichotomy of surrealism and rococo. "His figures" – as the art writer Tihamér Novotny explained – "are weightless, floating, almost levitating in the vapour of memory: the real dissolves in the fog of imagination, in the atmosphere of vision." Born in Budapest, Csáki graduated as a painter from the Hungarian College of Arts during the regime change. His earliest works already bore the influence of 18th-century art. During a study trip to the Netherlands in 1996, he discovered the bizarre, grotesque, frightening bestiary that had influenced his later artistic performance to a greater extent. From the very beginning of his career, Csáki has been known for creating a painterly world that is difficult to categorise but easily recognisable, with an intense atmosphere. His style is characterised by a classical sensibility, pastose brushwork and virtuoso blurring. The inhabitants of his surreal, dreamlike, decaying artistic universe are not only grotesque puppets but also various animal-headed monsters, rococo figures lost in the mist, but also coastal landscapes or even still lifes, evoked through his virtuoso painterly style. And in his Hommage series, he has reinterpreted classics from art history, from Monet's water lilies to Velázquez's portrait of the Pope. He has held solo exhibitions in numerous venues in the provinces and the capital throughout a consistent career spanning several decades. He lives and works in Budapest.