{"id":4670,"date":"2022-05-28T15:26:00","date_gmt":"2022-05-28T13:26:00","guid":{"rendered":"https:\/\/mnbarts.hu\/?p=4670"},"modified":"2023-04-13T15:35:12","modified_gmt":"2023-04-13T13:35:12","slug":"rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival","status":"publish","type":"post","link":"https:\/\/mnbarts.hu\/en\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/","title":{"rendered":"Rule and Irregularity \u2013 The Infinite Realm of Abstraction, Pop-up exhibition at Night of Artefacts Festival"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"4670\" class=\"elementor elementor-4670\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d5781ff elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d5781ff\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9db4c51\" data-id=\"9db4c51\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-edecb93 elementor-widget elementor-widget-text-editor\" data-id=\"edecb93\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h5><strong>A Selection by Zsolt Petr\u00e1nyi<\/strong><\/h5><p><strong>Budapest, Budapest, Krisztina krt. 37a, 1013 Hungary<\/strong><br \/><strong>2022. 28 May<\/strong><\/p><p>The history of abstract art dates back to the beginning of the twentieth century. In the long pre-twentieth-century period of the history of art, the value of patterns and surfaces was repeatedly discussed. However, the breakthrough came in the first decade of the twentieth century in the context of the Avant-Garde movements. From the initial rejection of representational art, the question arose: rule or irregularity?<\/p><p>The two approaches seem to contradict each other: one group interpreted abstraction as a form of art created according to different, predetermined guidelines, where rules play a more important role than individual gestures. The other, more psychologically oriented group of artists thought that abstract painting establishes an arena for the expression of psychological impulses. Therefore, no rules could influence artistic creativity. The painter\u2019s handwriting, as an expression of personality, emerges as the most important aspect.<\/p><p>Of course, the rigid boundaries between the two approaches are now blurred. New formal elements and techniques appear, proving that abstraction is inexhaustible. The visuality of the work, as the methods deployed during its creation, reveals a lot about the artists, whether they prefer to rely on rules or the notion of free expression.<\/p><p>The exhibition \u201cRule and Irregularity\u201d presents this duality and the interoperability of perspectives through the work of different generations of artists. The selected artists have been recognised and collected by museum collections, and their importance in the domestic art scene is unquestionable.<\/p><p>Thus, the exhibition presents an art- historical palette that traces these attitudes from the 1960s to the present day, providing an opportunity to open a discussion on the different perspectives of the genre. D\u00f3ra Maurer, Gizella R\u00e1k\u00f3czi and Zsigmond K\u00e1rolyi represent the rule-oriented approach, while Kriszti\u00e1n Frey, Endre Hortob\u00e1gyi and L\u00e1szl\u00f3 Lakner represent a freer creative method. The work of Judit Reigl, Istv\u00e1n B. Gell\u00e9r and Gerg\u0151 Szinyova is proof that these approaches can coexist because their works create a balance between the various possibilities.<\/p><p>The exhibition features three artworks by each artist. Larger-scale works and smaller ones are juxtaposed as scale provides different possibilities through the deployment of technique \u2013 not to mention the differences in what the viewer experiences when confronted with various expanses of colour. The artistic process of the works varies widely, which shows the wide range of results that can be achieved in abstract art based on the rules that the artists set for themselves in the act of painting. The application of colour with a brush provides the foundational basis of the genre. After all, we are talking about painting, but the preference concerning the revealing or hiding of gestures and brushstrokes varies from one \u0153uvre to the next. After the Second World War, a wide array of techniques emerged that showed new ways of applying colour, and the selection reveals relevant examples of this.<\/p><p>Abstract art changes with the times \u2013 visual culture changes with technology, society and our everyday lives. This consequently affects the colours, shapes or techniques the artists choose to express themselves, their surroundings and their times. Naturally, artists are inspired by new influences that transform their visual world. Where and when an abstract work was created may not be as easy to determine as in the case of a figurative painting, but the \u201cZeitgeist\u201d can be decoded from the works. This is one of the reasons why this creative approach has always continued to innovate and say something new.<\/p><p>The preferences concerning rule or irregularity, order and chance in abstract art emerge as a question of mentality. Both the creator and the viewer might have different interpretations based on the order created by the artist or the accidental flow of the paint material. Still, the result is similar: the infinite possibility of colours and forms, of organised compositional schemes or deviations from these visual systems. It is preferable if the results affect us \u2013 the audience of art \u2013 differently again and again.<\/p><p>\u00a0<\/p><p><strong>Zsolt Petr\u00e1nyi, Ph.D. art historian<\/strong><br \/><strong>Hungarian National Gallery, Contemporary Collection<\/strong><\/p><p>\u00a0<\/p><h3>Exhibiting artists:<\/h3><p>Kriszti\u00e1n Frey<br \/>Istv\u00e1n B. Gell\u00e9r<br \/>Endre Hortob\u00e1gyi<br \/>L\u00e1szl\u00f3 Lakner<br \/>Zsigmond K\u00e1rolyi<br \/>D\u00f3ra Maurer<br \/>Judit Reigl<br \/>Gizella R\u00e1k\u00f3czi<br \/>Gerg\u0151 Szinyova<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>A Selection by Zsolt Petr\u00e1nyi<\/p>","protected":false},"author":2,"featured_media":4453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[488],"tags":[483],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.1 (Yoast SEO v23.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rule and Irregularity \u2013 The Infinite Realm of Abstraction, Pop-up exhibition at Night of Artefacts Festival - MNB Arts and Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mnbarts.hu\/en\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rule and Irregularity \u2013 The Infinite Realm of Abstraction, Pop-up exhibition at Night of Artefacts Festival\" \/>\n<meta property=\"og:description\" content=\"A Selection by Zsolt Petr\u00e1nyi\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mnbarts.hu\/en\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/\" \/>\n<meta property=\"og:site_name\" content=\"MNB Arts and Culture\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=100083016948242\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-28T13:26:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-13T13:35:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mnbarts.hu\/files\/05.28_MNB_Szabaly-es-szabalytalansag-kiallitas_CR_SZM3174-134.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1664\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Horv\u00e1th Petra\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Horv\u00e1th Petra\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/\"},\"author\":{\"name\":\"Horv\u00e1th Petra\",\"@id\":\"https:\/\/mnbarts.hu\/#\/schema\/person\/7abbbc536ef3ab34cdbd115f2f5e7109\"},\"headline\":\"Rule and Irregularity \u2013 The Infinite Realm of Abstraction, Pop-up exhibition at Night of Artefacts Festival\",\"datePublished\":\"2022-05-28T13:26:00+00:00\",\"dateModified\":\"2023-04-13T13:35:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/\"},\"wordCount\":718,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/mnbarts.hu\/#organization\"},\"image\":{\"@id\":\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/#primaryimage\"},\"thumbnailUrl\":\"\/files\/05.28_MNB_Szabaly-es-szabalytalansag-kiallitas_CR_SZM3174-134.jpg\",\"keywords\":[\"en\"],\"articleSection\":[\"Events\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/\",\"url\":\"https:\/\/mnbarts.hu\/rule-and-irregularity-the-infinite-realm-of-abstraction-pop-up-exhibition-at-night-of-artefacts-festival\/\",\"name\":\"Rule and Irregularity \u2013 The Infinite Realm of Abstraction, Pop-up exhibition at Night of Artefacts Festival - 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